Now we now. This is a first hearing this album for me when I heard the first track a few times. It's a bit of a warning, because the first time found much more interesting music has several listens to really wrap my head around it.
# 1 How are suffering - I'm a little ashamed of this issue. There are some good words such as "burn if we do it together, all mixed, but I think the production and overall sound is too sweet and the sound too plastic. This provision appears to deal with surprises not seem very surprising to me at this time. I hate to say this, but what happens with this issue that really bothers me is the voice of Barnes. I hate it because I hate when I hear a large group of people know that I love (as The Flaming lips refuse) because they can not go beyond voice. It's like, well this is real music, this is not American Idol This is music! But sometimes I can not go to vote, no matter how hard I try. I think her voice tearful.
# 2. Sink The Seine - This is a minute short song that I find much nicer than the first. It has a small album of The Beatles was white feel. His voice suits this song a little more. See the thing is to dig these guys, it's just too poppy seeds on top of things like "Suffer for Fashion" I can not.
# 3 Cato as a pun - This song is closely related to the previous. If they do not care that the title probably because you were part of the same song. There are some interesting things happening musically in it. The album is an upward trend soon after the bad start for me.
# 4 Heimdalsgate as a Promethean Curse - This song is in every sense of style. It's a bit optimistic, the song almost 80-ish in parts. I do not know what to do with it, but I think it's very good, though not usually go for the retro 80's thing.
# 5 Gronlandic Edition - opens with a funky bass and drums. I love the piano rolls of echo. This song has been a little surprised me with the feeling, which is very sweet. The vocal harmonies that come are very wild. The album is definitely starting to grow on me now.
# 6, a fine of species in Kongsvinger - All songs appear on each other in a fairly interesting. It feels great support. This song is very similar to that recently introduced a kind of video game. The song is very catchy to read. His voice suits this song better than the first title. This song manages to be upbeat and poppy, so he still has plenty of personality. I do not know how to repeated listening in shape, but I'm digging now.
# 7 The past is a grotesque animal - This track is a time 11:52. So I expect something is incredibly epic and very atmospheric / environmental in nature. It is very promising, with very scary sounds and a low rate of Nice. This song is totally kick ass. I'm in love. Very curious to see where it goes. Great combination of sounds creepy, creepy, with the fast pace and a great voice. There is much feeling in it. I do not usually feel when I listen to Montreal. That's right people. I'll take a train from the pipeline.
# 8 Bunny Is not No Kind of Rider - This is a very interesting sound space is created, the people. The things that are happening all over this. Yes, that's my jam. Very interesting pages / astonishing. Good use of low pulse back to them. In fact, pushing forward.
# 9. Faberge Falls For Shuggie - It started as a trip-hop track. Great new low. This time it's a funky bass line. Kevin Barnes seems a bit like Prince to be here.
# 10. Pompa Labyrinthinian - Another surprise. I'm not really sure that Kevin Barnes is going on here. The track is very strange. I like where it is about 2:30 to go very soon Spacey. This works very well. I think in general can cause abrupt changes in the type and so on, you can start to sound a little too close to him.
# 11. It's A Man - I have 50 seconds in this song, and seems to have been about 4 or 5 different songs. I think it really depends on what is in the mood, but is a bit difficult for me to take seriously when it changes so fast. It seems more than anything boastful and everything I say if this is the show-off guitar game without tricks or the production direction bully does not make sense. I like to try to help quickly to different locations. You know, it's schizophrenic, and I'm there. Seriously. But he comes to work. And I am not really think it works very well for the last two tracks. There are good songs, but only a little blurred with all the comings and goings. You know, I think a good analogy is when a song begins, much like a "Mega Mix" instead of a coherent thought that a solid, if you go too far with it. I would like to emphasize that flex and move between these styles. I hate when a disk is very "samey" (as a rule there are exceptions.) But there are times when you just do not overdo it. It is difficult to accept, really anywhere else, if you are never sure where you are in the first place to be.
# 12, we are born again Leofling mutants - is a lot to me this album really peaked in the center. I think this topic was a bit slow to start. Once it begins, it is very good. I like the voice in layers. In general, however, feels a bit repetitive.Overall I am a bit disappointed again. There are some really good songs in the middle of the album and some great moments in most of the songs. But in general it is not just for me to mix. I would say that this time the song # 7 "The past is a grotesque animal" my new favorite song, if it's Montreal. I'm sure I'll hear in this album a little more time, maybe I will grow!
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